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Dorchester Center, MA 02124
LUMPY COU COU
The exhibition ‘Lumpy Cou Cou’ by Sheena Rose, in collaboration with the National Cultural Foundation Barbados and Johansson Projects, is a celebration of Caribbean Culture and Identity on a global scale.
The exhibition’s connection with food and culture is not limited to its title. The yet-unpublished literary work, which served as inspiration for the performances undertaken on opening night, becomes the guiding light for many of the titles, paintings, and installation elements that ground the viewer in the atmosphere Rose is attempting to convey. The lumpy coucou produced by Rose’s protagonist in a cooking session between herself and her grandmother becomes a unique metaphor for the connection that exists within the community and the importance of fellowship.
The exhibition launched on Saturday, October 11th, 2025, at The Queen’s Park Gallery in Barbados, spearheaded with two performances by the artist Sheena Rose.
One performance, developed in association with Leggo Theatre Company, featured a scene of merry making and community around a carefully plated banquet table, which begins with the artist ringing a dinner bell, signalling for the other performers, hidden amongst the opening attendees, to take their places at the dinner table. As the performance begins, Rose’s words narrate the events of the evening as they unfold.
In the artist’s recalling of the event, the performance itself begins to take on a spiritual meaning, as recognisable elements of Caribbean culture become overlapped with the Western idea of the banquet. The piece has then been likened to a ritual, with each performer carrying out his or her role. The artist (Rose) takes her position as the leader of this spiritual undertaking, prompting each performer’s action.
In further reflection, Rose became enamoured with the idea that in the acting of the performance, the table itself becomes an altar. This element of culture as ritual becomes an underpinning of Rose’s work.






The vibrant colours and simplified figures of the paintings on display become reminiscent of the patterning present in the drapery of Caribbean households in the 60s and 70s. Her work remains unapologetically vibrant and joyful, centring scenes of exploration, community and excellence within the black diaspora, placing black bodies in any place her imagination takes her.
The staging of the gallery space alongside the scenes depicted within the work, serves to create a sense of familiarity or homecoming, bringing a piece of Caribbean hospitality to the traditional art world
The exhibition concluded on Saturday, November 8th, 2025, with a conversation between moderator and writer Amanda Hanyes and the artist Sheena Rose. The discussion ranged from thoughts on the development of her now signature style to personal difficulties surrounding ongoing health challenges.
As moderator Amanda Haynes noted in her analysis of the exhibition, the “lumps” that resist smoothing out become a metaphor — for care and imperfection, for love and confrontation. It recalls the final chapter of George Lamming’s In the Castle of My Skin, that moment between mother and son before the narrator leaves to teach in Trinidad, “You think they can stir coucou down there?”
Rose, as a whole, spoke enthusiastically about finally hosting a solo exhibition in her home country of Barbados. When asked if she regretted making Barbados her base of operations, she spoke glowingly of the community and conversations that can only be found in the Caribbean, stating that though she has a love for the city, she is satisfied with her decision.
Photography © Giselle Walker